Spolia from Constantine to Charlemagne: Ideology Over Aesthetics in Architectural Reuse

Overview

This essay reviews Beat Brenk's article on spolia use from Constantine to Charlemagne, analyzing his argument that ideological rather than aesthetic or economic reasons drove the reuse of architectural materials in building new structures. The paper examines Brenk's counterarguments against Deichmann and Krautheimer's theories, using historical examples like the Arch of Constantine and Theodoric's architectural projects to support the ideological motivation thesis.

What this essay covers

Preview

Essay 2: Article Review

Name

Subject

Date

Article Review: Spolia from Constantine to Charlemagne: Aesthetics Versus Ideology

The article “Spolia from Constantine to Charlemagne: Aesthetics Versus Ideology" by Beat Brenk is focused on explaining to readers the various misconceptions which have people on the reason for the use of spolia to build new structures. The use of spolia in building new structures is similar to the concept of cannibalism[1]. He asserts that cannibals do not feed on humans because they enjoy the taste of the human flesh; rather, their behaviors are driven by ideological reasons. In the article, Brenk has admitted that there is no accurate evidence that can justify the purpose of spolia[2]. In this regard, this paper will discuss the concept by Brenk that the purpose of using spolia was for ideological reasons over aesthetics.

To begin with, Brenk asserts that the decision to use spolia can be attributed to ideological reasons. Notably, he has defended his thesis by coming up with several arguments that revolve around counterarguments. The counterarguments are based on the “nouvelle histoire” or the history of mentality[3]. In the article, Brenk discusses F. W. Deichmann's argument that the use for spolia can be attributed to two main reasons[4]. One of the reasons is the need to achieve aesthetic change while the second one is its economic benefits due to the economic weakness of late Antiquity.

More Art History samples