Buddhism and Chinese Social Life, Arts and Culture

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This paper examines the profound influence of Buddhism on Chinese society, art, and culture from its introduction through central Asia. It argues that Buddhist teachings transformed Chinese social structures, artistic expression, and cultural practices, while also introducing concepts of meditation and philosophical hierarchy that persist in modern therapeutic techniques.

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Buddhism and Chinese Social Life, Arts and Culture

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Buddhism and Chinese Social Life, Arts, and Culture

Chinese Buddhist religion has its roots traced back to its native country India, central Asia, and southern sea (Sørensen, 2019). Religion has always been a powerful tool in building morals, educating and passing on cultures from one generation to another. The religion influenced Chinese mindset and creativity and their social and cultural activities.

Chinese social life transformed as they received religious teachings. From the book (The Platform Sutra: The Zen Teaching of Hui-neng, 2008), there is a sense of hierarchy, master talks of the position of a Buddha who received dharma before appointment and talks of the robe as an embodiment of trust passed from one generation of patriarchs to the next.

The Chinese artistic knowledge advanced as they came up religious paintings evident from the paintings of the five patriarchs done by Lu Chen who was a painter. The skill of meditation that was essential to clear the mind, which is a common therapeutic technique, used to date. They created mind poems, which they referred to as Gatha and this involved creative thinking.

Buddhist religion greatly influenced culture in many ways and this included making sacrifices by the disciples. They also believed in the power of the mind in meditation, and they referred to meditation and wisdom as one body. It also influenced their belief on life and death as it was of high importance to become a patriarch.

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