Cinematic Representations of Cuba: Comparative Analysis of Soy Cuba and Memories of Underdevelopment
Overview
This essay compares two films depicting Cuba's post-revolutionary period: Soy Cuba and Memories of Underdevelopment. The paper argues that while Soy Cuba presents the Cuban Revolution and society positively, emphasizing solidarity and culture, Memories of Underdevelopment offers a contrasting critical perspective that portrays Cuba as suffering and underdeveloped under Castro's regime.
What this essay covers
- Introduction to Cuba's political history and the Castro revolution
- Analysis of Soy Cuba: positive portrayal of Cuban society and critique of American influence
- Analysis of Memories of Underdevelopment: negative depiction of post-revolutionary conditions and societal decline
- Comparative discussion of how both films present Cuba differently through cinematography and narrative focus
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Story of Cuba
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Story of Cuba
The story of Cuba has reverberated globally, especially since Fidel Castro's uprising led to the coup of president Batista. He is also typical of the attack he launched on capitalism and his association with Russia that later led to a sharp separation. Two movies can help us understand Cuba's happenings after its inception, soy Cuba and underdevelopment memories. The first movie can be translated into 'I am Cuba', while the second movie bears the same translated meaning. The producers and scriptwriters define the movies' context, and it depicts the association between Cuba, America, and Russia. Is Soy Cuba the country is presented positively, and there seems to be harmony between the locals and tourists from various destinations. The production team also focuses on the beautiful scenes of Cuba and its attractive culture. The only spiteful scenes were of American influence that seemed to corrupt the country's peace by snatching the land of poor people and being rough with women. The revolt by Fidel Castro is presented as an emancipation of the people, and the Russian production team draws attention to the solidarity of the people to his course.
Memories of underdevelopment present a contrasting view, and it depicts Cuba as an uncivilized and the poorest place on earth (Alea, 1987). The focus is on the education sector that seems disorganized and underequipped to the extent that it lacks mirrors for dancers.